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Textile
Art
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Many Salish spindle whorls have sophisticated and powerful carved designs...human, animal and geometric. The whorl was placed on a wooden spindle to add the weight needed to maintain the spinning motion, and to prevent the wool from falling off the rod as it was being spun. As the whorl
turned, the designs would blur together, mesmerizing the spinner. This
trance state was considered vital: it gave the spinner the ability to
create textiles imbued with special powers. |
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![]() © Canadian Museum of Civilization collection: cat. no. VII-G-6; image no. S92-6005. |
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![]() Royal British Columbia Museum Photographs -- PN00083 |
Spinning was accomplished by the use of a spindle whorl. The spindle rod was held in both hands with the whorl away from the body. It was rotated to the right to twist the yarn. When a section of the yarn was spun by the whorl, that section was wrapped around the spindle whorl and the next section of wool unravelled from the ball of loosely twisted yarn for spinning. The wooden disc, or whorl, at the end of the spindle acted as a flywheel to keep the tension on the yarn constant as the spindle whorl's axle was rotated between the hands. | |